Panoramic at Dazbog Coffee

Yesterday I sketched this pano in Dazbog Coffee on 12th and Speer.  It was pretty quiet so I had an opportunity to work without creeping too many people out.  The frienly barista there, Ara (I think that was her name) loved the sketch and showed the employees at the adjoining tanning salon (the hallway of which can be seen on the far right.)  At the end of the hallway, if you look closely, you might notice a mirror with a tiny little sketcher in it.  That's right, this pano is my "Las Meninas," or perhaps "Arnolfini Wedding portrait."  Or something.

Technical aside: I used a bigger pen on this one, a Staedtler .5, and I think I like the chunkier feel.

Dazbog Coffee, 12th and Speer

Comments

Post a Comment

Popular posts from this blog

How I Draw Spherical Panoramas

Image
Ever since I first sketched a spherical panorama in the Procreate app, people have been asking for a tutorial, so I've finally put together the steps for how I did it. I had seen illustrations that you can pan around before and I wanted to figure out a way to do one on site, rather than make it in my studio from photo references. I will start by saying that panoramic urban sketches done on location are nothing new. The brilliant G é rard Michel and Arno Hartmann have been doing them for some time, and Arno had already been taking his analog images done on site and turning them into scrollable panos with computer software years before I set out to try this.  Most of the time when I draw in curved perspective I draw "intuitively," meaning I don't set up any vanishing points or use any rulers or grids. In researching this process I knew that to do a 360 degree drawing accurately I would need an equirectangular grid with 2:1 proportions. I found one, along with a ton of
Read more

A brief history of how I started to "curve" my sketches

Image
When asked what kind of art I make, I say "I sketch what I see." That's it. I go out on location and sketch what I see. Or I stay home and sketch what I see. The "what I see" part is what's important to me. And that brings with it all sorts of other ideas to explore. Because what do we see, really? My style of sketching is a mixture of a few different approaches to observational art-making. There's the still-life/in-studio tradition where the artist narrows their focus on just a small portion of their field of view. There's plein-air landscape painting, where often the goal is to widen the field of view as much as possible and take in sweeping vistas. There's architectural and perspective drawing, where the challenge is to effectively depict human-made spaces with their corresponding geometry in a convincing way. And there's figurative art, where capturing the human form in one way or another is the goal. You can find examples of each of thes
Read more

Dinosaurs of the recent past

Image
I suppose some of you who have been following this blog for some time and who aren't interested in dinosaurs probably find these posts excruciating.  Sorry, guys; there will be plenty more urban sketching posts, including some very soon. Meanwhile, I've been spending the last three months or so re-learning how to draw dinosaurs, and rediscovering the world of dinosaurs-- the research, the art, and the fans, thanks to the dinosaur blogosphere. Why do I say "rediscovering?"  Because, about 17 years ago, I was nuts about dinosaurs.  Just completely bonkers.  This post is about how that all started and ended, and started again. As a pre-teen, I was certainly a fan of dinosaurs, but I was never the kind of serious devotee that many of my friends were at that age.  It was my final year in middle school when I stayed up all night reading Jurassic Park for the the first time on my bottom bunk that I became truly hooked.   Mind you, this was a few months before the movi
Read more