Hi Paul! I am a huge fan of your work and came across the drawing table you made on flicker and was wondering if you could possibly e-mail me the dimensions and how-to on how to make it! I'm not that great at making things and I've been looking all over the web for some dimensions and what I would need and can't seem to find anything. This would be very appreciated!! Thank you,
Ever since I first sketched a spherical panorama in the Procreate app, people have been asking for a tutorial, so I've finally put together the steps for how I did it. I had seen illustrations that you can pan around before and I wanted to figure out a way to do one on site, rather than make it in my studio from photo references. I will start by saying that panoramic urban sketches done on location are nothing new. The brilliant G é rard Michel and Arno Hartmann have been doing them for some time, and Arno had already been taking his analog images done on site and turning them into scrollable panos with computer software years before I set out to try this. Most of the time when I draw in curved perspective I draw "intuitively," meaning I don't set up any vanishing points or use any rulers or grids. In researching this process I knew that to do a 360 degree drawing accurately I would need an equirectangular grid with 2:1 proportions. I found one, along with a ton of
When asked what kind of art I make, I say "I sketch what I see." That's it. I go out on location and sketch what I see. Or I stay home and sketch what I see. The "what I see" part is what's important to me. And that brings with it all sorts of other ideas to explore. Because what do we see, really? My style of sketching is a mixture of a few different approaches to observational art-making. There's the still-life/in-studio tradition where the artist narrows their focus on just a small portion of their field of view. There's plein-air landscape painting, where often the goal is to widen the field of view as much as possible and take in sweeping vistas. There's architectural and perspective drawing, where the challenge is to effectively depict human-made spaces with their corresponding geometry in a convincing way. And there's figurative art, where capturing the human form in one way or another is the goal. You can find examples of each of thes
I suppose some of you who have been following this blog for some time and who aren't interested in dinosaurs probably find these posts excruciating. Sorry, guys; there will be plenty more urban sketching posts, including some very soon. Meanwhile, I've been spending the last three months or so re-learning how to draw dinosaurs, and rediscovering the world of dinosaurs-- the research, the art, and the fans, thanks to the dinosaur blogosphere. Why do I say "rediscovering?" Because, about 17 years ago, I was nuts about dinosaurs. Just completely bonkers. This post is about how that all started and ended, and started again. As a pre-teen, I was certainly a fan of dinosaurs, but I was never the kind of serious devotee that many of my friends were at that age. It was my final year in middle school when I stayed up all night reading Jurassic Park for the the first time on my bottom bunk that I became truly hooked. Mind you, this was a few months before the movi
Hi Paul! I am a huge fan of your work and came across the drawing table you made on flicker and was wondering if you could possibly e-mail me the dimensions and how-to on how to make it! I'm not that great at making things and I've been looking all over the web for some dimensions and what I would need and can't seem to find anything. This would be very appreciated!!
ReplyDeleteThank you,
Kay
kaydecourval@gmail.com